This is a book to be read with careful attention. It is not ordered strictly chronologically. Rather, it is structured around certain strands of the story Oberman wishes to emphasize. The main events of Luther’s life have several layers, and by treating individually, Oberman can give a greater sense of the complexity of the whole. The result is a deeper take on a familiar figure.
If you look at the table of contents you will see three parts. The first explains the events in which Luther figured as German, Medieval and elemental. For example, the reformation as a German event is a look at the politics of the situation. The reformation as a Medieval event is a look at the continuities with the past–that from which this new thing arose. In the second section Oberman goes into Luther’s influences more, and shows how his thought changed over time. The third section deals with the problems facing Luther once the break was made and there was no return. He still deals with individual issues diachronically, such as Luther and marriage, a most interesting chapter. And in the end he evaluates the reformer.
It is hard to think how any biography of Luther can be more readable (a good English translation), more intelligently ordered to provide the facts a maximum of meaning, or, curiously enough, better illustrated. Rather than include a section of glossy paintings and woodcuts in the center of the book, the illustrations are lavishly scattered at the point of the text with which they have to do. It dampens the effect of some of the paintings, but since most of the illustrations are woodcuts and frontispieces, it works.