I like the Caruso version. It is, after all, Italian.
If you aren’t able to appreciate that I despair of you, my friend.
As a contrast and since it is, after all, Handel: Scholl.
Very tidy too.
Moving on, von Otter is far above curiosity–wish I had a clear recording.
Last and best, simply best (I’m so glad I’m of the 21st Century some days): Stutzmann.