Ombra mai fu

I like the Caruso version. It is, after all, Italian.


If you aren’t able to appreciate that I despair of you, my friend.

As a contrast and since it is, after all, Handel: Scholl.


Very tidy too.

Moving on, von Otter is far above curiosity–wish I had a clear recording.

Last and best, simply best (I’m so glad I’m of the 21st Century some days): Stutzmann.

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