All Effects Are Legitimate

All effects are legitimate.

LEGITIMATE!, you see? ¡Luhgitimecht!
Luh-dgi-dammit, the sound there,
the overt suggestion undermined.

And so things were assimilated
in the clacking of the keys
typewriterwise. We now?

We now with other symbols/signs
juxtapositional in ways
that writing would have rendered
meaningless we type. We have now
the formality of formal fonts!

The ebb and flow of music
needs to be, ¿but is it anymore?

(Ususual that, ¿eh? Have it again
for the IIIrd time and the ¡IVth!)

The difference of exploiting
typesetting too–
too markedly ¿PERHAPS?– wuz this:
the music could be lost, and even was
PERHAPS, in tricks. Plain trix.

¡New trick! But just a tr¡ck.

Though Ez and the old boyz
I think were trying to PRESERVE
in the new-fangled way the old.
To add to add and shew–enhánce.

Have we degenerated down into effects
without the old mag¿c?

?Is that why @ the present
when the magíque is recovered
it must out through the way-it-used-to be:
in rhyme and formal verse¿

I think the problem always is
the one of diction–more easy
formerly to figure out than ¡n-OW!


3 thoughts on “All Effects Are Legitimate

  1. Here I thought it was a verse: At the end of that time, I, Nebuchadnezzar, raised my eyes toward heaven, and my sanity was restored. Then I praised the Most High; I honored and glorified him who lives forever. His dominion is an eternal dominion; his kingdom endures from generation to generation.

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