A Detail

Life, with all its minor inconveniences, goes on.

Life with all its minor inconveniences goes on.

One of my problems is that I often fail to place the first comma. I have a lot of problems with punctuation, not being regularly instructed or something. I need logical explanations, not arbitrary rules, and logical explanations are not always what is provided. But sometimes a logical explanation doesn’t go far enough.

You can see the difference above. Can you explain it?

The first one is about life continuing the inconveniences notwithstanding, the second one is about what life keeps doing, as if it were personified. There is a clearer way to write it, but there’s nothing incorrect with that second sentence.

That’s what’s good about my present job; I have to explain it. Now my mind is able better to grasp not only the conceptual difference between a defining (restrictive) clause and a non-defining clause but also to adjudge it–as it were–in practice. Here the commas are subordinating the clause by a shade: that’s all. It is, one might say, cosmetic: the translation of written from spoken speech.

Which is what seems sometimes lost to view. (I teach with teachers who believe that reading is almost exclusively a silent activity and to suggest otherwise is absurd. But if you’re not listening or not imagining the sound you’re missing something.) Think of it this way–for the television crowd: if you’re writing a dialogue you’re putting in the commas to indicate a change of tone. There is a heaviness in the first that the second breezes on without; color in the first the second lacks. The second is all in anastrophically muted shades of irony. And the determination isn’t primarily of logic; it is a matter of intention that logic then adjudicates. You can have it both ways, it seems to me, providing you’re no pedant.

Have notions of language lost the sense of an aural primacy? I sometimes wonder. Still, life goes on, with all its minor inconveniences . . . no: life goes on with all its minor inconveniences.

Drivers

Having some trouble with audio, and it turns out, I think, to be drivers. An optional update screwed up my Conexant driver. I took it out, and now I’m finding out about driver updates.

I think I’m on the right track . . . Might just get out that spare copy of XP pro and install that instead. Aren’t there any totally free driver updaters?

Faces in the Unexamined Crowd

A Monday and I observe the tendencies. A couple on the bus. He has glasses tinted yellow, a receding chin, and braces. Not surprising, braces are a sort of fashion here for many different ages. She has big strong teeth, alternatively arranged to overlap so they all fit—no braces. He bends to her, their lips touch, the bus lurches, the sparks fly, they draw back stunned.

Two nuns in blue and white stare pointedly away, obviously and enthusiastically admire an opportune church in the distance, clutch the poles as the bus performs its lurch. The greater sister is pale and pudgy, enterprising and energetic. For every hail Mary, a voice seems to intone, you need to eat a meal. Lean sister inferior has modern glasses, the kind I have no doubt other generations will gaze on in photographs with astonishment and horror: rectangular and idiotic. A beak upholds the glasses.

After the bus I pass well groomed and well attired people—without braces these—speaking, gesticulating outside banks or coffee shops. I see the telltale wires attached to ears and suits. And then one passes me without them but in earnest conversation. I eavesdrop on his monologue: “And I want to claim, Lord . . .” he says with vehemence that suggests frustration. Busily engaging the culture, no doubt, and no results to show.

Somebody is hawking lewd movies for all those whose idea of a good time is watching other people have sex. Is it Monday Morning makes me wonder whose idea of a good time is watching other people having sex? I glance away and meet the dull, rubber features of a fat man with a low knit cap and a hostile imbecility and the wonder dies away.

Two rappers rehearse nearby. As if the last bit were not fantastic enough, they believe that by entering a bus with their contraptions, gesticulating and shouting—edifying or obscene lyrics, one wonders?—they will please their captive audience enough to make them part with some loose change. Or is it more fantastic that our urban savages in the obligatory uniform will probably succeed?

Jerusalem My Happy Home

Cyberhymnal has an inferior version of the hymn, but then they have this original text:

Jerusalem, my happy home,
When shall I come to thee?
When shall my sorrows have an end?
Thy joys when shall I see?

O happy harbor of the saints!
O sweet and pleasant soil!
In thee no sorrow may be found,
No grief, no care, no toil.

In thee no sickness may be seen,
No hurt, no ache, no sore;
There is no death nor ugly devil,
There is life for evermore.

No dampish mist is seen in thee,
No cold nor darksome night;
There every soul shines as the sun;
For God himself gives light.

There lust and lucre cannot dwell;
There envy bears no sway;
There is no hunger, heat, nor cold,
But pleasure every way.

Jerusalem, Jerusalem,
God grant that I may see
Thine endless joy, and of the same
Partaker ay may be!

Thy walls are made of precious stones,
Thy bulwarks diamonds square;
Thy gates are of right orient pearl;
Exceeding rich and rare;

Thy turrets and thy pinnacles
With carbuncles do shine;
Thy very streets are paved with gold,
Surpassing clear and fine;

Thy houses are of ivory,
Thy windows crystal clear;
Thy tiles are made of beaten gold—
O God that I were there!

Within thy gates nothing doth come
That is not passing clean,
No spider’s web, no dirt, no dust,
No filth may there be seen.

Aye, my sweet home, Jerusalem,
Would God I were in thee:
Would God my woes were at an end,
Thy joys that I might see.

Thy saints are crowned with glory great;
They see God face to face;
They triumph still, they still rejoice
Most happy is their case.

We that are here in banishment
Continually do mourn:
We sigh and sob, we weep and wail,
Perpetually we groan.

Our sweet is mixed with bitter gall,
Our pleasure is but pain:
Our joys scarce last the looking on,
Our sorrows still remain.

But there they live in such delight,
Such pleasure and such play,
As that to them a thousand years
Doth seem as yesterday.

Thy vineyards and thy orchards are
Most beautiful and fair,
Full furnished with trees and fruits,
Most wonderful and rare.

Thy gardens and thy gallant walks
Continually are green:
There grow such sweet and pleasant flowers
As nowhere else are seen.

There is nectar and ambrosia made,
There is musk and civet sweet;
There many a fair and dainty drug
Is trodden under feet.

There cinnamon, there sugar grows,
Here nard and balm abound.
What tongue can tell or heart conceive
The joys that there are found?

Quite through the streets with silver sound
The flood of life doth flow,
Upon whose banks on every side
The wood of life doth grow.

There trees for evermore bear fruit,
And evermore do spring;
There evermore the angels be,
And evermore do sing.

There David stands with harp in hand
As master of the choir:
Ten thousand times that man were blessed
That might this music hear.

Our Lady sings Magnificat
With tune surpassing sweet,
And all the virgins bear their part,
Sitting at her feet.

There Magdalen hath left her moan,
And cheerfully doth sing
With blessèd saints, whose harmony
In every street doth ring.

Jerusalem, my happy home,
Would God I were in thee!
Would God my woes were at an end
Thy joys that I might see!

What Is Touch?

In Luke 5 there is the story of the leper who is cleansed. The pericope goes from verse 12-16, and is clearly marked. In Luke’s mind, I have no doubt, this is a whole section; which is interesting because in I. Howard Marshall’s mind, at least back when he wrote his commentary, there is no obvious connection between the point of the pericope and verse 16.

I think Marshall ought to have given more time to the reading and contemplation of the Metaphysical poets. Of course, I don’t know if he did, but it seems to me the connection would be clearer to anyone familiar with the kind of thinking that makes metaphysical poetry possible, especially when it finds its inspiration in a Biblical turn of phrase. It may seem a stretch to us to think the Spirit of God, through the pen of Luke, was sowing metaphysical conceits, but to anyone committed to the priority of meaning, to the notion that the world of our perceptions is a world that can only be permanent when aligned with a transcendent order of meaning, then it is no real stretch. It is, in fact, necessary.

And it is interesting to note how important a role culture plays in the cleansing of this particular leper. That he is impure, unclean and also repugnant is given: he is a leper. But that he is found in an Israelite city is a mark of disobedience against the Mosaic legislation. Whether he had bothered to report to the priest in the manner prescribed when first contracting his leprosy cannot be ascertained, but it seems doubtful given that he is not too careful to maintain the prescribed isolation of Leviticus 13:46. Luke is rather explicit on the man’s condition: he was full of leprosy, as bad as it gets. That the state of religious observance was rather poor in Galilee is a point Luke has been making in chapter 4, and the presence of this leper in one of the cities seems to go along with this point—which reinforces my interpretation of the situation.

But even though the principles of his religion were not ruling his behavior, the customs and traditions, the culture which the principles of his religion had given rise to were, because he doesn’t ask Jesus to heal him, but he uses the theologically precise word to describe his condition, a word and meaning that comes from the Mosaic legislation that gives Israel its peculiar culture. He asks Jesus to cleanse him.

Leprosy may well be an emblem of sin, but leprosy is more than anything a symbol of the consequences of sin, and in actuality a consequence in and of itself. Leprosy is a sort of living death, and death is a consequence of sin. Leprosy is a state of impurity, and impurity is a consequence of sin. What this man had was a bad case of the consequences of the sin in which our race is born, and he went to Jesus because he wanted to be freed of the consequences. He was not a particularly obedient man, but he was a man particularly conscious of his condition under the consequences. So Jesus touches him, and so renders him ritually clean, and makes it possible for him to rejoin the people, and be declared pure for ceremonial purposes and the consecrated life of the people of God.

And I think Jesus did it because the request was precisely worded, responding precisely to the words. Because as far as we know Jesus gave him nothing else—only cleansing. If he did, Luke does not comment on it.

The result is another wave of popularity and attention, another rush of people to which Jesus attends, but not for long. The fleeing from the crowds continues. He goes away, he seeks solitude for the third time in as many chapters. He touched the leper, but he needs to get away from contact with the people and he needs to find another sort of contact and communion. Jesus goes to pray because it is his delight, but Jesus also goes away because he has a need for it.

It is because at the heart of true religion is a heart that is set on nothing but God and needs this contact above all others. This is the heart and meaning of all consecration, and true holiness for a human being begins not in the skin, but in the heart—that seat of all desires: all likes and all loves. The realization of our need for communion with God is at the heart of true holiness, and therefore of purity. Jesus does not need to be reminded, but he reminds us, and Luke does too, like a metaphysical poet reflecting on the word “touch.” What is touch?—Luke seems to ask, Socratically. Purity of heart, as Kierkegaard reminded us, is to desire one thing. Touch, we might say—borrowing the word of another metaphysician—real touch, is cordial union.

Victorian Symphony

Here you can download Sir Hubert Parry’s 3rd.

What with reading so much Waugh, I miss them.

A Great Cleaning Out of Things

Some odd things today. At OMA, a friendly and pleasant coffee place, in the restroom I saw a toothpaste box and the wrapping for a toothbrush. It seemed a story was in that, and I wondered what; a job interview perhaps.

I was in OMA because Katrina was at the ministry. I was going to be in the ministry but they wouldn’t let me enter with her—new rule. And so I was sitting outside the office in a sort of atrium on the floor, but then a guy came around and kicked all of us waiting out. So I went to the OMA in the 93rd park which is big and was chilly, and had three large slices of cheese and coffee for a very reasonable price considering the overhead involved, though the coffee is overpriced for here.

And then I walked in the rain, because it was light, and found a copy of Don Quixote for 33,000 COPs which I might buy, because the edition is good and that price is good. When I got back to the ministry everybody was waiting in the lobby downstairs because of the rain, not sitting on the floor because presumably they had tried it like we did upstairs and had been forbidden by the uppity and contrary administration of the building. I’ve heard the ministry is relocating: no doubt friction with the building’s administration. I left again.

At another book shop the extremely elderly proprietress (she can only have been there to work because she was the owner) was most solicitous. Maybe it was in this one I saw the Don Quixote . . . I am no longer certain. There was a medieval chap’s work in translation at a record low price I would have gotten had I not been paged from someone exiting the ministry.

Speaking of the ministry, it was on the way there that the idea of a meeting with the devil came to me, and it was on the steps waiting for them to open, with some belligerent Argentinian who looked like a New Yorker and a gaggle of Germans that I penned (penciled actually) the rough draft of the Pou document.

Another interesting note: I lent my pen to a person at the ministry. She was allowed to go in after all of the rest of us were kicked out. I let her keep the pen and subsequently have lost it. It was a really ancient Parker whose ink was all stuck from disuse, and I’m kind of glad. I get the pen and pencil Parker sets for the pencil, and they last me less than the pens.

Katrina talked me into going home in a colectivo, and that was awfully lengthy, but I did manage to see it all. On came a chap with a little radio thing to sing, amplified, affected and off-key. He turned out to be a Christian, though I didn’t get that from his obnoxious song. Afterward he gave us a therapeutic, slangy homily and then had the effrontery to ask us for donations, explaining this was how he made a living. I donated nothing.

Our local bakery (well, not as local as the two that are closer, but local enough to be two blocks away) has an espresso machine! Good mil hojas (that’s ‘una mil hoja’ and not ‘un mil hojas’), and they’re not expensive at all. It has blue and green light bulbs, and when they turn on the lights at night, something not altogether entirely unlike atmosphere beckons from it. We shall be returning there, but not when the school beside it is letting out all its lousy, noisy, vulgar kids.

And now some rest. Some cleaning out. I need to reclaim some of my book markers; I want to work on some things written; we need to follow the ideals of prosperous burgeoise (as best we can) and somehow make this new apartment of ours a little more ideal in the way of cloth and comfort. I saw, on that epic journey back from the ministry this morning, a glider rocker with a high back. Might want one of those here soon.

At the House at Pou Corner, a Just So Story by Udderyard Zipling

When Pou gets back from the crik he done noticed a fine new red pickup in the drive and sez to himself that it looked mighty fine, wondering whose it was.

“Hon,” says Mrs Pou, “It’s the devil himself.” And shore enough, it was.

“Howdy, Pou,” sez the devil. “Long time since I clapped eyes on you.”

“God!” sez Pou.

“I know how you feel,” sez the devil.

“Damn!” sez Pou.

“A bit of that, you might say,” sez the devil.

“Hell!” sez Pou, and the devil sez something about all in good time.

Then Pou sez, “Journalistic malfeasance,” and the devil frown and sez, “I don’t know about that. That’s awful strong languich.”

“I apologize,” sez Pou, and “how about a beer?”

“I aint got time,” sez the devil, flashing a gold tooth. He swings round once and sez, “I need you to do one on Brother Kev.”

“I knew it,” sez Pou. “I just knew it,” and he grinz.

Day was kind of bright for the Chicago area. Pou glances out the window and wonderz if the etiolated fish he caught in the crik and were setting on the porch shouldn’t be mailed before the sun gets too high, but he caint ignore a guest with class.

“Know anything about Mark Denver?” sez the devil.

“Aint he on the wrong side?” sez Pou.

“You bet, and they’re into the Lordship Salvation Gospel my friend.”

“That aint the side we’re on,” sez Pou, and the devil he nod and sez, “I done saw your bumper sticker on the way in. How’s the book?”

“Awright,” Pou said, glancing elsewhere and ignoring the devil’s chuckle.

“You leave the ideas to me,” sez the devil, and Pou scowlz.

“Those neoevangelical communist hippies,” sez Pou, and the devil look askance.

“I want you to coordinate something between brother Kev and Mark Denver,” sez the devil.

“Hell’s bells,” sez Pou.

And the devil sez, “I can hear them ringing too! Use the Lansdale connection, hear?”

Pou stares, coughs.

“What’s the matter now?” sez the devil.

“Uh . . .” sez Pou, cuz one of the fish had Lansdale wrote all over it. “Uh,” he sez, his brain trying to shift into second gear after years of comfortably ignoring it, “uh . . . I jest don’t get how!”

“How come you don’t get how?” sez the devil, and then look sly, “You loosing the old touch, aint ya, Pou?” And he get a smirk one sees from time to time in certain areas of Chicago, if you know what I mean.

“Naw,” sez Pou, shrugging. “I was kidding. Stay for lunch?”

“I would,” sez the devil, “but I neglected to bring a fork long enough.” And he goes out to his pickup and backs out, spreading gravel all the way.

“What am I going to do now with three fish and only two destinations?” sez Pou to Mrs Pou.

“How you going to rig that get-together?” sez Mrs Pou, always practical.

* * *
“Simple,” sez the frog, “a conference.”

Pou stares at it. It was a frog he’d found while fishing shortly after Barak Obama had left to live in Washington DC, and it had an uncanny way of being practical.

“Shore,” sez the frog, “bring them together on the platform.”

“Aint there enough conferences already?”

“Aint you making sure brother Kev got less and less to be in? How you gonna get the boyz to cross the line, Pou? Academic setting. Good thing you cain’t touch any of those.”

“Never thought of that,” sez Pou.

“Course not,” mutters the frog, but Pou don’t hear it. The frog croak a laugh all to himself.

“What about Mark Denver’s schedule?”

“Whose side you think he on? He do it for the kicks,” sez the frog.

“Naw,” sez Pou, but he get a gleam in his eye.

And lucky for him, it worked out. And when the devil see the news he smole a smile and his tooth flash out. The other two frogs were with him at the time and they grin fierce.

“You boys reckon I ought to give him a boost in the morale?” sez the devil.

“We reckon,” sez the frogs, and they make a croak one after the other like.

“Blest if I don’t,” sez the devil, and Pou’s book begin to sell like hotcakes shortly after that.

THE END

Modern Times and the 127th

What a crazy week! And it aint over till after Monday, but at least I can sleep in a bit tomorrow.

Heading in to the week I was teaching 15 hours which is one hour short of my load, according to the contract. It is not a busy schedule, of course, but it adds up when every hour is multiplied by two for transport.

But not that busy. So I have time to invest myself in my Sunday school, and also have time to preach once a month. So this week come both. I still need 10-15 hours to prepare a class or a sermon and not be ashamed of my work.

And this week I had the visa stuff, which today took long hours away from my life without really finishing. That’s a bit stressful though it shouldn’t be. The sovereignty of God extends to every drawer of the bureau, even though it seems sometimes trivial to point it out (though not during times when you have to open them and look in).

And then I get handed eight hours of class, which is sixteen hours with transportation that are clean taken out of the week. And then it is at night making it impossible for me to get eight hours of sleep.

There are people who scoff at sleeping eight hours. I am not one of them. Sleep is a gift of the Lord, an important part of life, and the quality of everything I do is significantly reduced by increasing the quantity of time I spend awake, not to mention one’s outlook on life, the universe and everything.

Time waiting, especially the added hours in a bus, have given me time to read enormously. But one needs the mental alertness that the encroaching wearing weariness does not help. You go without sleep and those added hours are not worth the same as rested and sane hours.

It is madness that the modern world thinks it such a virtue to go sleepless in a frantic effort to accomplish. It is another of the types of inflation John Lukacs talks about, where the more you have the less it is worth.

I hope to regain some control of the time of my week in the following weeks, and settle into longer grazing rather than be one of the eaters of bread of sorrowful labors.

Men at Arms, by Evelyn Waugh

Men at Arms is the first of Evelyn Waugh’s Sword of Honor trilogy. Waugh is funny and reactionary, and both things come into play in this novel. Consider the divisions of the book:

Prologue SWORD OF HONOR
Book One APTHORPE GLORIOSUS
Book Two APTHORPE FURIBUNDUS
Book Three APTHORPE IMMOLATUS

Apthorpe is not a minor character, of course, but he’s not the protagonist. The protagonist is Guy Crouchback: wealthy, retiring, Catholic, unaccomplished, unassuming, undemanding and in almost everything the opposite of Apthorpe. Crouchback has a strange, strong and unexamined longing to serve his country in World War II, and the prologue deals with how he manages to join the Halberdiers. Apthorpe is a chap he meets once in and also a part of himself our hero needs to kill. Apthorpe is conservative but not out of principle, in other words he is no reactionary, merely keen on his own comfort. The story is a story of how Crouchback’s principles are grown and perfected in a world increasingly hostile to them.

Waugh’s world is one in which all temporal powers are muddling around. It is also a world in which the spiritual powers (the visible church) are muddling around, but what saves the latter is that they are aligned with something transcendent and truly respectable. In Waugh’s world, no temporal powers ever are. Exclusively respectable, one might say of that which is aligned with the transcendent, becase sub specie aeternitatis, all is finite and because it is finite, comic and even ridiculous when viewed apart from its transcendent connection. Even our hero is, and this is a great deal of Waugh’s point; nobody is exempted in our world.

The view is of the essence in comedy: oversized man on a small stage. The transcendent is offstage, hinted at, connected, important, but always invisible and routinely ignored, and in our time increasingly inaccessible. Not that for all that human beings are without their consolations in Waugh’s novels. Notice the conservative view put forth: “But to Guy sitting there with them in the ante-room among all the trophies of the Corps, in the order and comfort of two centuries’ uninterrupted inhabitation, it seemed impossible that anything conducted by the Halberdiers could fall short of excellence.”

Well, it does, and it is because the things that sustain our connections to the transcendent are being systematically eliminated by the blind. The trajectory of the human race in the first part of the 20th century, according to Waugh, is the consequence of stupidity, and stupidity. And the loss and ruin of something already lost and ruined, the destruction of that Victorian regiment with its comical Apthorpes, its deranged Brigadier, and its sensible yet sentimental commanders, the loss of something already mortaly disfigured by the World War I is shown as a inevitability: the inevitability of modernity which Eliot felt in one way, and Waugh felt in another.

Waugh’s method is this subtle humor, this irrepressibly gleeful view of human folly because it is so monumentally comic in its insignificance and awful in its consequence. He knows how to be poignant, but this is not Brideshead, because the loss is only a loss in the order of this life. It is a loss only for men who are more ridiculous than ever and deserve it. The loss is small and it is great; of the permanent in the temporal realm, but not of the permanent and only temporaly: which is why Eliot can find consolation and Waugh can find comedy. He also knows that this is no longer a world in which Mr. G. K. Chesterton arrives with dash and extravagance to fling open the irrefutable gate of fairyland. It is the world of the Wasteland, and the doors to fairyland have been destroyed, covered over and almost completely lost.

Perhaps what Waugh is saying is that to be a conservative anymore you must be increasingly an unsentimental reactionary. What he is certainly saying is that at all times, the unexamined life is not worth living, and that we have squandered a lot of what will bear examination by losing those things which connected us to the transcendent order. These are no longer ours in the way they used to be others’, and we need to keep what little we have . . . but we probably won’t.

Bureaucracy of the Unexamined Life

I was in the notary (41st) today. I stared at the large, solid furniture of preferential wood that stores the files, or used to. The surface of these is still good for proper stamping—all the right acoustical properties, and perhaps for that reason it remains behind the desks with their computers. Bureaucracy is all about the atmosphere, I’ve noticed. I saw shelves full of blue, stout volumes no doubt full of intricacies, sub-chapters and numbered paragraphs only specially trained persons might successfully interpret. I was there to get some photocopies notarized so that I can use them as legal documents to keep Katrina with me here for a while longer.

The runaround seems endless, but if you know all the bits you can do it gradually, and its not that the little bits are all that inefficient, just that the overall process includes so many bits it can’t help being inefficient. Recently, I called a USA customer service line to activate a credit card. The chap asked me for my mother’s maiden name, and I didn’t catch the rest. I gave the name and asked them what other bit of information the chap wanted. To my surprise that was enough. Never here. Do you know that you get regularly fingerprinted at the bank? It’s some sort of collateral ID.

I have to be among the bureaus this week, and I hope I will not long be among them, but it helps–when it comes to reading, and if you must wait you should read–to steer away from the Kafka and have the Waugh. Waugh’s is a lightening perspective, jolly. He makes it seem like a government is all that way because the functionaries are just dumb, and whatever the truth of such an assumption, it certainly helps. I was blocked in entering a bus by two persons of the younger sort who entered and immediately stopped in the doorway. I told myself it was unreasonable to be put out since they were lacking the minimum required intelligence to anticipate that the people standing behind them might want to enter the bus too.

In a moment I shall call Waugh-esque, I glanced over—having eventually entered and settled myself further along—and saw the chap who’d blocked me picking his nose with some enthusiasm, rolling his findings on his finger. At one point, after a rather strong dose of Waugh some years ago, I had wondered whether he dealt too much in caricature. He’s a subtle one, and a prejudiced one, and sometimes quite a bigoted one, Waugh. But it is in moments such as that on the bus that Waugh’s slice of reality seems not quite as meager as sometimes one is tempted to believe . . . and a lot more interesting. And it helps with the bureaucracy too.

In the Preaching of It

God hath appointed a particular and lively application of his word to men in the preaching of it, as a fit means to affect sinners with the importance of the things of religion, and their misery, and necessity of a remedy, and the glory and sufficiency of a remedy provided.

—Jonathan Edwards

A Run Through the City

It was a rainy day. I watched from the bus the raindrops on the Salitre river. I noticed near that a Mexican place that sells tortillas—along with everything else on the way. This great city with its furniture shops and shoe shops, with chickens in revolution and rotation, goldening, with its staring crowds. Rain on it, rain on its umbrellas and its puddles and its waters coursing against the high curbs. A man wanted to exit the bus, but the driver wasn’t close to the curb and we were on the ascent with all the water rushing past. On the third try the old guy leapt out over the rapids, through torrential rain.

The drops were starting again when I caught my third bus for the return. The bus looped around downtown till it was full. And then it begins: crawling, pausing, zooming. Irate passengers within and ignored passengers without. A world of rudeness as the driver crowds them on, rushes past the desperate, shouts at his passengers and clashes his gears. Night falls and the rain seems to hesitate.

Lights come on in the innumerable shops of the city. My bank is one of the lesser ones, not multinational. Blue and grey and red it is, and mostly grey and blue, sparing the gay red. On that journey home I saw seven branches, all small and similar and scattered along my route, all florescent lights inside and a lone clerks making final counts. In the evenings in this city you can see some of the banks packed. The Bogotanos go to the branches and keep them busy, and malls are usually not without four or five banks. Forty percent of Citibank’s global revenue, I recently saw in the Economist, comes from Latin America. The banks charge for every little thing, usually have long, enormous lines, and yet they’re thronged and business for them is good, and some of them keep odd hours.

Night continues and the bus lurches on, amazingly profitable, packed and taking on more and more, incredibly—especially to the ones standing inside. I see the shops; a new thing: the fruit and ice-cream types are using green and blue energy saving lights. The lighting is getting a bit more sophisticated, and the ceilings in some bakeries are getting elaborate, classical almost, and perhaps suggesting something eventually baroque. The general lack of taste and utter contempt sometimes for atmosphere makes these developments surprising. Perhaps its just a pleasing accident, like finding a seat on the bus.

The chickens revolve and rotate, rotate and revolve, and drip on the hissing, hot coals. People buy cigarettes by the unit, buy chewing gum and packaged everything, stand around a counter or a little cart eating empanadas while their eyes rove. The chickens sweat out their fat, some yellower, some redder depending on the secret ingredient of the bath before they’re lined up on a pole and set on their mad whirling. The plantains are baked and ready, salted boiled potatoes await as do raw french fries, yucca too sometimes and sometimes salad. The city drinks a sea of soda, another sea of beer. You don’t see enough people in the chicken places to consume the food, but they come and go, and the delivery motorcycles do to, and the chickens diminish while the night collects the empty bottles.

Labor is cheap and so at evening two or three employees either scramble between three rows of four tables each or lounge watching the obligatory TV. People throng the sidewalks and arbitrarily enter one place all in a crowd while beside it another stands empty. Money is changing hands at a prodigious rate. The bills are being worn out, the coins drop and clink and rattle . . . and the rain sends up a few umbrellas and troubles a few puddles and disturbs nothing for life goes on in spite of it and the lousy umbrellas they sell here.

Two hours after downtown the bus lurches to a stop and afterward is gone on its endless loops, and I walk home past the fanned coals of an arepa stand, under the trees and occasional drops . . . toward the chicken that so patiently awaits me.

A Bend in the River, by V. S. Naipaul

He writes well, Naipaul. I sometimes wonder if the line doesn’t run from Waugh, to Greene to Naipaul, descending. Perhaps not in literary merit, but at least in a sort of despair about everything. The 20th Century has left us feeling that human kind is mostly stupid and generally pointless.

Maybe you don’t need another novel to tell you that human kind is mostly stupid and generally pointless. You’ve read Vile Bodies and Put Out More Flags, you’ve read The Quiet American and The Heart of the Matter and why do you need anything worse? It isn’t that human kind is mostly stupid and generally pointless, but the many ways in which we are that makes each book. With A Bend in the River it’s about the spiritual distances against which humans are petty and pathetic. Not the geographical isolation, but the spiritual isolation of a stupid and pointless life.

A Bend in the River is novel about Africa. It is exotic and full of its times. It is also understated and weary. It is well written, well executed, ironic and unexuberant. The most outrageous thing in it is perfectly matter of fact, unremarkable. It is everything a post-modern novel ought to be, especially about one about post-colonialism and the mess the natives have made of their semi-westernized countries. It is about a half-hearted and perpetual struggle against the prevailing stupidity and general pointlessness of life. It is about how pathetic life can be, how enervating and petty.

The narrator, Salim, goes to a town at a bend in the river in the center of an unnamed African country, having bought an unpromising store from his future father-in-law. He stays with the store and grows it, through boom, through war, and into the increasingly unstable presidency of the war’s victor. His isolation is highlited: he’s an African Muslim who looks European, mingles with the Europeans, and is neither European nor African. He commits adultery, and this does not help his isolation. He continues forward in his bland way, like an unheroic old man against the sea, like a moist and limp handshake never refused, never appreciated, the last of a tired convention’s obsolescence. The narrator is unremarkable, and yet the perfect voice for Naipaul’s bitter, sardonic insight.

That’s perhaps Naipaul’s strength: the inexplicable toiling on of a petty man caught in an enervating life. I’ve only read A House for Mr. Biswas and this one, which is perhaps not enough to judge him on; but how that which is not western struggles with the magnetism of the West, how life lopsidedly oscillates between ideals and customs, order and anarchy, seems to make him go. And human beings pointlessly struggle on, renewing and adapting pathetic hopes in the face of constant disappointment.

Where High the Heavenly Temple Stands

Where high the heavenly temple stands,
the house of God not made with hands,
a great High Priest our nature wears,
the Guardian of mankind appears.

He, who for men their surety stood,
and poured on earth his precious blood,
pursues in heaven his mighty plan,
the Savior and the Friend of man.

Though now ascended up on high,
he bends on earth a brother’s eye;
partaker of the human name,
he knows the frailty of our frame.

Our fellow-sufferer yet retains
a fellow feeling of our pains;
and still remembers in the skies
his tears, his agonies and cries.

In every pang that rends the heart
the Man of Sorrows had a part;
he sympathizes with our grief,
and to the sufferer sends relief.

With boldness therefore at the throne
let us make all our sorrows known;
and ask the aid of heavenly power
to help us in the evil hour.

—Michael Bruce

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The Oremus site has a MIDI of the music they use for this, and the tune is one of those reliable little tunes of which the Trinity Hymnal is so full. I love it; I wish we used them more over here. Not flashy, not really remarkable, but unassuming, brief and very good. It matches the words which really are not remarkable, but do what they need to do, verge almost on understatement, but still remain serious, doctrinal and good. Nor is the poet artless (that first inversion and alliteration all bringing attention to the subject in line 3 of the first verse; how it all goes back to where it starts, etc.), he achieves the proper effect: it strikes me, as a poem, more than anything as trustworthy in they way it goes about what it has to say. Direct, full of Biblical allusions that require something of the reader, bold, and as unassuming as the music.

And it reminded me what it was like to worship for a year and a half in the Providence Reformed Baptist Church of Minneapolis . . . excluding, of course, the above adjective ‘brief’.

Luke 4:31-37

When Jesus goes down to Capernaum he has a confrotation with a demon in the synagogue. Luke shapes the story to highlight Jesus’ authority. And Jesus’ authority has an innitial impact on the audience: they are amazed. But then comes this demon, shouting and carrying on, defying Jesus, and interestingly enough, saying only what is the truth. Jesus, however, does not need the kind of publicity the demon is offering. The result is an excercise of his greater authority confirmed by an ability to make the demon not only shut up but also relinquish his tool. It is an exercise in the power of the Spirit, the power of God, which is superior to the natural impotence of the mob at Nazareth, and now confronts the supernatural powers of darkness.

In Nazareth the people wanted to exploit the power of Jesus and they were unable. Now comes the demon in defiance, and perhaps alarm at what Jesus is doing. The first is an attempt to use God’s power for purposes other than divine (and the only miracle in Nazareth Luke records is when Jesus walks out from a mob of people who have known him all his life and are bent on killing him); the second is an attempt to dilute the greater power with a formidable but lesser power. An act of spiritual adulteration is contained in the demon’s bravado, and that is why Jesus puts a quick end to it.

The irony that Luke exploits is the contrast between the real authority of Jesus and the mere volume of the demon. This is the point of the confrontation, not the truth of what the demon says, and important for drawing those implications we call applications. What the demon shouts is true, it is the source that’s problematic: the message is not acceptable to Jesus for all its truth because of its empty packaging. The power of God is behind the authority of the truth of Jesus, not the power of darkness.

Not that the message is any less true because it is shouted by a demon possessed man. What it implies to me is that the truth of the message is not enough. It has to have some congruence with the means by which it comes. Jesus could have commanded a legion of demons making enough noise to put a rock concert out of business, but he didn’t want the artifical amplification. It resulted in distortion.

And the questin for us is, what is the spiritual energy behind our truth? Is it artifical amplification, or something more congruent with the message? Does it come by shoutings and shenanigans or Scripture and reason? By their fruits shall ye know them, and the fruit of the Spirit is . . . love, joy, peace, longsuffering, gentleness, goodness, faith, meekness, temperance.

Does This Sharpen Me?

Anybody with roots laid in fundamentalism will find this funny, providing the roots don’t go too deep. And when you consider the question and view the state of the author’s mind through his writing, you really have to sympathize.

One of the things that’s hard to get here and that I really like is refried beans. We found some, and this morning with my eggs and toast I had some refried beans. They do it all the time in Mexico and I like it too. I also made some pretty strong coffee (Juan Valdez, Volcan, which is fuerte), and then I sat down before my computer and while I tucked in, enjoyed some Poultriniac literature. Highly recommended. May the blog last a longer than the tedious Internet Roach Motel.*

*Coming soon: How I Got Kicked Out! . . . but don’t hold your breath on that.

Transmilenios of the Unexamined Life

There are some people in this city who absolutely hate the government organized and privately run Transmilenio. The alternative is private buses driven by persons usually devoid of any sense of etiquette, consideration, or the simple fact that human beings are lurching around in the bus. Said alternative is often mired in traffic, will always lurch a person to death, has seats spaced at really inconveniently close intervals, and the vehicles are not always high enough for even the average Colombian to stand in. Some people prefer these later.

The Transmilenio is my choice because it is organized, clean, standardized, intelligible. Sometimes I watch the crowded Transmilenio buses pass, sometimes up to five, but usually I get on comfortably eventually. I don’t usually use the thing during peak hours.

Today I had to be somewhere at 8:30 and I was in the station at 7AM. Peak hours get a bit tougher, and I was pushed along toward the doors. At the doors, there were people refusing to get in and people behind pushing to get in. The people behind panic and probably need to get somewhere, while the people in front are willing to wait for another bus to come and have a clear shot at a seat.

It gets pretty ugly with people shoving and complaining, and all after something as miserable as a seat on a bus. It can get crowded and uncomfortable if one doesn’t get out of the buses entrances, but the panic to which the crowds (and especially the older women) quickly descend helps not at all.

The problem isn’t really the way they run the buses: this particular bus empties out along the way, rather than filling up. I think they might coordinate things better, but most of the time the buses run at reasonable intervals and are only crowded because people shove in rather than waiting a few minutes for the next one. And the problem isn’t the station. If you have a bus that can take on over 150 people, the crowd waiting to get on can swell to those sizes. I think the problem is inside of the passengers.

Which is what I think accounts for the popularity of the private transportation companies with all their disorder. They simply can’t command those kinds of crowds because they’re informally organized, have no fixed stops (none), and have to fight with traffic. It is the hardest thing to determine the route of such a thing unless you pretty much know the place names of most places in the city, and there are no maps. And I can’t help thinking, after I entered that bus this morning, borne along by a heedless crowd, almost smashed into a door until at last I pushed back, and randomly finding myself in two steps before an empty seat, that somehow the chaos of the private transporters accords better with whatever it is going on inside of the average Bogotano headed toward work.

Edwards on the Imagination

I’m not sure that I haven’t noted this before, but then it stood out to me again tonight. From Distinguishing Marks, section 1 and Negative (non-mark) mark IV.

IV. It is no argument that an operation on the minds of a people, is not the work of the Spirit of God, that many who are the subjects of it, have great impressions made on their imaginations.

That persons have many impressions on their imaginations, does not prove that they have nothing else. It is easy to be accounted for, that there should be much of this nature amongst a people, where a great multitude of all kinds of constitutions have their minds engaged with intense thought and strong affections about invisible things; yea, it would be strange if there should not. Such is our nature, that we cannot think of things invisible, without a degree of imagination. I dare appeal to any man, of the greatest powers of mind, whether he is able to fix his thoughts on God, or Christ, or the things of another world, without imaginary ideas attending his meditations? And the more engaged the mind is, and the more intense the contemplation and affection, still the more lively and strong the imaginary idea will ordinarily be; especially when attended with surprise. And this is the case when the mental prospect is very new, and takes strong hold of the passions, as fear or joy; and when the change of the state and views of the mind is sudden, from a contrary extreme, as from that which was extremely dreadful, to that which is extremely ravishing and delightful. And it is no wonder that many persons do not well distinguish between that which is imaginary and that which is intellectual and spiritual; and that they are apt to lay too much weight on the imaginary part, and are most ready to speak of that in the account they give of their experiences, especially persons of less understanding and of distinguishing capacity.

As God has given us such a faculty as the imagination, and so made us that we cannot think of things spiritual and invisible, without some exercise of this faculty; so, it appears to me, that such is our state and nature, that this faculty is really subservient and helpful to the other faculties of the mind, when a proper use is made of it; though oftentimes, when the imagination is too strong, and the other faculties weak, it overbears, and disturbs them in their exercise. It appears to me manifest, in many instances with which I have been acquainted, that God has really made use of this faculty to truly divine purposes; especially in some that are more ignorant. God seems to condescend to their circumstances, and deal with them as babes; as of old he instructed his church, whilst in a state of ignorance and minority, by types and outward representations. I can see nothing unreasonable in such a position. Let others who have much occasion to deal with souls in spiritual concerns, judge whether experience does not confirm it.

That Holy Thing

THEY all were looking for a king
To slay their foes and lift them high:
Thou cam’st, a little baby thing
That made a woman cry.

O Son of Man, to right my lot
Naught but Thy presence can avail;
Yet on the road Thy wheels are not,
Nor on the sea Thy sail!

My how or when Thou wilt not heed,
But come down Thine own secret stair,
That Thou mayst answer all my need—
Yea, every bygone prayer.

—George MacDonald
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With George MacDonald it usually is not great poetry. But I love that third verse with the unexpected secret stair. It makes the whole poem. I found it in the hymnal at the back of my Irish Book of Common Prayer.

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