Upstairs

Above us live some curious people. Our previous upstairs neighbors had a hyperactive child who would tear through the apartment in hobnailed boots between the hours of 10PM and 5AM. I presume he spent the rest of the day’s hours sleeping it off. They also had a younger child they were fond of taking with them into the laundry room on the second floor. The laundry room on the second floor has the breakers for all the apartments in this building. There the happy child would, I have no doubt, pretend the bank of breakers were the controls of a space ship and would throw enough switches to send said space ship clean out of the galaxy.

But they left, and their replacement has been curious. What is peculiar about these people involves two things. One is a great sound of stretched rubber, as if they own a pet hippopotamus with four peg legs ending in rubber balls that is fond of pirouetting on a tile floor, you know? I wondered at one point if they had somebody—of more than copious girth—in a wheel chair up there and that was making the sound. The trouble is, if their apartment is anything like any of the rest of ours, it is carpeted and cannot really produce the sound of rubber being turned on a smooth floor at enormous pressure. It may just be the joists protesting. Maybe grandma lives with them and grandma weighs a solid 800 lbs. Interesting to speculate, but hard to tell. The second great sound is the sound of a great bed, bought in a garage sale during the reign of Asshur Banipal, no doubt, and since given to one bed-wetting child after another who has faithfully bathed the springs lo these two thousand and six hundred years without fail. Such treatment is surely the only explanation why the bed squeaks prodigiously. Nay, the sounds cannot be called squeakings but mighty cries of rust encrusted protestations and appeals. Sometimes I lie there wondering if the sounds are not echoes of the crowds calling to Ishtar in Nineveh of old, thundered pagan invocations recorded there and conveyed by this arcane technology from the Levant to the apartment above mine.

Of course, there might be another less recondite explanation. It might be the 800 lb grandma once went fishing and from the briny depths reeled up a bed on which a great treasure had become encrusted. And every night she plunges upon the bed, which she has removed to an apartment above mine because nobody would suspect a treasure there, in order to shake loose a shower of rusty, ochre flakes among which can be seen glimmering bits of gold, small jewels and silver wire which she pawns to feed the thronging, copious family whose sole pastime is to build ambulatory human pyramids—which would account for the sounds we hear.

Another’s Encounter

Here is a nice little speech to be read. It tells how an author discovered three important writers: Lewis, Tolkien and Chesterton.

J. R. R. Tolkien

Tolkien resisted the idea of a biography, although he kept copies of his letters and drew up a preliminary sketch recollecting his early life. He resisted the idea of biographical investigation because he did not want his stories read as commentaries on his life, or even on his times (this last is more accurately appreciated if you add to it the adverb ‘exclusively’).

That nobody should read his works as a commentary on his life is understandable. Tolkien wanted to have literary considerations prevail because he aimed to satisfy a literary desire. His works were written with great care and with attention to provide the intelligent reader with everything needed to find the satisfaction the book achieved.

Tolkien knew something more would eventually be required by those who loved the art he made. If art is an expression of the human spirit, then a further inquiry into the circumstances of, and influences upon that human spirit are a proper expression of tribute and a continuation of the same love. In such a spirit Humphrey Carpenter wrote a biography and edited Tolkien’s letters. They ought to be highly recommended for the shelves of decent, self-respecting libraries.

One of the things Tolkien pointed out—in a draft of a letter he apparently failed to send—is that it limits the appreciation of a work of literature if the book cannot be recommended solely on the merits of what lies between the covers. If an understanding of the writer’s life is required in addition, it can hardly be considered a successful as the object of the writer’s purpose.

The notion that the text is incomplete without the shrewd investigation that seeks to show nothing so much as the condescending critic’s superior insight is intolerable and was, apparently, alive and rampant in Tolkien’s day. Tolkien wrote an essay on Beowulf with a little narrative that illustrates the blindness and suggests the futility of the approach that undermines the appreciation of the text as literature. In one deft essay Tolkien changed the approach to Beowulf, expressing the Mordor-meaninglessness of the condescending approach—that idiotically critical and not properly critical approach—and showed them a way lit by the light of a love for learning.

This love can be seen in Tolkien’s books but it comes into sharper focus once you read the story of his life and make your way through selected correspondence. He applies the rigorous methods of scholarship to his explorations of an imaginary world and he shows us the proper love of learning is a love for substantial things, that it is a love that will enrich our appreciation of the world itself, the created order.

He started with imaginary languages, because he loved beautiful languages and beautiful words. He then proceeded to produce imaginary worlds because his languages required a living history, they needed a place to develop and they needed stories in which to work. Eventually, Tolkien became entangled in the details, leaving a wealth of material behind for scholarly inquiry.

In some ways Tolkien was a ridiculous man, and you cannot avoid understanding this as you read of his life. His ridiculousness was connected with his greatness, and it is the lot of every fallen man—no matter how great—to have an inalienable smallness. It is not the case that all of us small beings achieve a measure of greatness. Tolkien’s niggling, his continual revising and rewriting and expanding, prolonged the gestation of his earliest and posthumous work: The Silmarillion. But it gave us a world so detailed that even the phases of the moon have been taken into consideration.

I was recently offered a cup of orange juice freshly reconstituted from frozen concentrate. I declined it because I was drinking something else, but also because one who has regularly drunk of the fresh squeezed orange can never have any great, irresistible desire for what is, in a way, a substitute. My uncle-in-law who grew up on a dairy farm has a lesser enthusiasm for the regular offerings of the dairy section in the grocery store. It illustrates the glory of Tolkien, that craftsman and lover of his craft: he served orange juice of the fresh squeezed oranges; all his dairy products were produced and offered, as it were, from the dairy farm he worked in and maintained with all the effort it entails.

One does not need to tour the dairy farm to love the butter and pay extra for the cheese. Certainly, the smell of manure is not something most lovers of rich milk anticipate. But it would be a strange devotee who did not have the sufficient curiosity to wonder about the smell of the cows, the instruments and processes that make the final product more desirable than the others. Surely love for milk is a love for something bovine.

There and Back

On the way to Columbus we had a great, long fog. It cleared near Indianapolis, but we saw little of our surroundings till then. Then sunlight, and at last the view of the white-limbed sycamores so numerous in those regions.

I went walking in Sharon Woods, where some of the trees had been rendered into peeled, planted logs by blight. The woodpeckers had drilled holes clear through the top parts of the standing trunks. In those woods the fallen trees are left to join again the floor of the forest among the lingering leaf mold; there is always a feeling of disaster and aspiration. In that wood where the trees rise slender and tall I mingled the enjoyment of the place with the memories of many happy times before.

The winter is mild there, the keen wind friendly, even when it comes with snow. The wind drove the snow in a thick cloud through the air even as the water murmured in the creeks and runoffs. The wind puffed through the creaking forest and scattered the immemorial leaves. I walked alone and with great gladness in the woods and in the field which the Lord has blessed.

We walked in the cold evening beside the swollen Olentagy, its waters dark and gleaming in the last light of day. We walked in the shadows while above, high above, the last, upward shafts of sunlight showed the white branches of the sycamores decorated with dangling fruit.

I do not know if it was all the happy memories of all the happy moments I have spent in the glades and riverbanks of the Columbus Metroparks, or the mermaid suggestion of the earth color of the trunk gradually flaking away like scales to expose the white, graceful limbs high aloft; but to return to those places and see those suppliant, serene white trees made me think: it is like emigrating to Valinor.

Near the Olentangy river, below the unruly boxelders the lowest sycamores were bathed by the clouded waters that overflow the banks. The sun shone on the water and on the green grass. A tree rose from the sward, twisted as if it had all been formed by a tornado. In the forest, high above among the black boughs and the grey branches of the other straight and crooked trees were the white-limbed sycamores, reaching out to touch the trees beside them.

You can see the lordly sycamores from far away, as long as you are in the country where they grow. On the way back the sun arose and shone upon us till we passed the stone formations of Wisconsin Dells. And after that the clouds closed translucent on the rolling hills. The snow on the ground made the hills white under the crosshatching of their trees. Near the road we saw the little white beeches, the modest white trees of our Middle Earth.

Crossing the Sea

The king came softly that night, but he ate none of the buttons. He stopped in front of me a long while, his antenae moving slowly. When at last he rose, I did as well, and followed him out into the midnight world.

Around me were the strange star flowers, dark with long, drooping petals. They grew low on the ground, upon trailing vines with large sallow leaves. Visible in the shadows were the shapes of long gourds or melons, elliptical and pale. I saw no trees, but everywhere there grew a soft, black clover. I heard the murmuring waters of brooks and streams but never crossed one. We went a long distance over a plain. The large moth fluttered ahead, visible as a shadow upon the bright stars. And so many stars! They shed a white and golden radiance that mingled together in the gentle twilight.

I followed, and we came to the sea. The king continued out over the sea, and I went along the beach looking for a boat. I heard laughter but when I turned, I saw no one. I continued to turn and the laughter became louder, laughing at me. At last I spied a turtle crawling slowly from among the rocks toward the shore.

“Why do you laugh?” I cried.

“Come,” the turtle replied, nearing the water, “Come wingless, finless creature. I will take you to the silver cliffs where the king of the moths leads you.”

So I ran to the turtle and climbed upon his back. He crawled into the sea and began to swim. I clung to the ridge at the front of his shell, where the opening was for his head and shoulders.

In the distance against the stars on the horizon I could see the flickering shadow of the moth. The glow on the horizon—east? west? north? what direction?—grew as we approached the silver cliffs.

“Why,” the turtle began, as he slowed his swimming, “Why do you pursue the king of the moths?”

He said it in such a way it made me wonder and I asked, “Have others come before?”

“Many,” he replied. “But none can give me any reason. I have been ferrying creatures like you over this sea for many ages. They follow the king and do not return, but I know not why. I have waited on the dark beaches before the cliffs for many changes of the stars. I have waited one hundred risings of the Dragon and a hundred settings. I have swum around to the other side of the land many long leagues to where the dragons are stretched out on the sands. But there are non of your kind on the other side.”

We stood on the beach now. I was looking up at the silver sides of the mountains. The king had lighted on them like a spot; he was not far away. To my right the cliffs continued, steep slopes jagged against the sky above, the moths in thousands dotting the gleaming wall.

“But where do they go?” I asked the turtle.

“The people? The fugitives, I sometimes call them; they seem to go furtively many of them. They follow the king into the silver mountains. What they meet there I do not know. Dragons? Plants? Death? Perhaps they meet life,” the turtle said. “How can I know what you will find if you do not know why you go?”

And why did I come? The king called me in his Spanish whispering.

“What if I wait here?” I asked the turtle.

At that moment a fish leaped out of the sea onto the dark sand. It mouthed at me, flopping on the sand at my feet. So startled was I, I did not see the turtle turn toward the fish. It caught the fish it its mouth and swallowed it before I could cry out. I watched the mouthing fish vanish into the turtle’s mouth and a dreadful anxiety came over me. I thought I saw a horrible gleam in the turtle’s eyes that filled me with terror. I noticed the shape of the reptilian head, like the head of a snake.

“Beware of the fish,” the turtle said. With that he crawled back into the sea, and I was left alone. I now turned back toward the silver cliffs before me.

Again I heard a mocking laughter.

Las polillas todas susurran en Español

I once saw the king of the moths in the gloom of the closet. I was hanging up an old red cardigan. I had gotten it from a madman who lived in a cluttered mansion. I had not worn the cardigan much but I could not bear really to part with it. So I offered it to the moths in that offering that affirms and denies their existence at the same time. And there I saw the king of the moths feeding on the buttons like a pool of blood in the twilight.

Yo soy el rey de las polillas, susurrabame enorme la polilla roja. Inmovil estaba, solo que sus antenas se movian pero sin ritmo alguno.

Ay! I thought. I shut the door and stood resisting the realization: my days outside were numbered. I must join the cardigans in the closet and follow the red moth to the silver mountains. Ay! Ay! Ay!

I prepared a sealed case with seven moth-balls yet I could not bring myself to enter. I purchased leather clothes the moths would not eat. At last I entered the closet one week after I had seen the king, shuddering as I crouched down under the hanging garments to wait.

The other moths came that night. To my horror two of them rested on my ears, their long wings hanging down below my shoulders, their dusty, moldering smell in my nostrils. I felt nothing harmful, only a gentle caress on the sides of my face. I fell asleep and when I woke up, they were gone.

I mean both, both moths and ears, both ears—both. I felt the smooth sides of my head and the surprisingly small holes left behind. I noticed they had also eaten off all my hair, and this made me angry for a while. I went on feeling the smooth skin of my head. At last I smiled in the darkness, for I realized I had been prepared. I moved further into the nether twilight and awaited the return of the king.

Sweaters of the Unexamined Life

And where do old sweaters go? Ought they to be hung up with dignity in an old closet where they will be eaten delicately by aristocratic moths? In such a closet the floor will be covered with buttons. Throw in the buttons you have saved, throw them in after you hang up the cardigan for the last time; do not give the buttons the pain of going through another cycle of life on another garment. It is fitting that the garment and its buttons go together into the last closet. There the last quiet years of faithful sweaters passes like the ebbing tide.

Unloved sweaters never seem to go away; they remain. Perhaps they are eaten by other moths, by common little moths, not the great moths whose wings are midnight and who pass through the depths of remote closets into worlds of eternal twilight. Those great moths are the highest moths, languid and purple. Unloved sweaters, those uncomfortable or in bad taste or just too woolly, these will never know the melancholy places where the most noble moths slowly devour the good sweaters. The fate of an unloved sweater is like the fate of the vulgar sweatshirt, cast into a ditch or passed on to a hostile relative.

But more of the moths. The royal moths who eat not only good but beloved sweaters when they have become too disreputable and are reluctantly hung up, these great moths are night’s butterflies in a world without sunlight. Grey, but tinged with purple and black swirls, some of the more rare have brown and silver swirls in their wings. When they pass under the glittering stars they bring a shadow of gladness to the dark flowers below. Mists and exhalations rise to greet them as they pass over the blue lights of the fens. They rest at last on the sheer, silver sides of mountains, bathing in the moonlight: gigantic. Such are the aristocratic moths.

Their king is a blood red moth who seldom stirs from the silver sides of the mountains. But when the moon is waning he will sail over phosphorescent seas. Then all the other moths stay behind, motionless in the still air. Then the king of the moths finds the floors of closets and feasts on the remaining buttons with a subtle sound, a gentle grinding. And all the other moths wait, for the king will not eat in any other moth’s company. As he returns the flowers do not greet him, the fens send up no mists; he goes over the still land and over phosphorescent seas to find his place again on the silver sides of the starlit mountains.

Bits of the Unexamined Life

One of these days I’m going to redo all those mutable links. The lilrabbi never bothers to blog any longer, Todd’s posts are slightly less rare, and the day Ryan Martin manages to get more than a quotation up has become like a warm day in winter—you see now he’s taken to making a post out of something somebody else said on his blog? Sad.

Nothing to say anymore, I suppose. No trenchant, daily display of opinion like one wants. One can expect a certain drought in cycles, but some cycles have become exceeding elliptical. One wonders if it is due to indolence or overweening ambition. Overweening ambition can kill your posting. Take a tip from me; see the two posts under this and relax yourselves. What one wants in a blog is a paragraph or two, no more. What one wants in one’s links is a more-or-less steady flow.


For my third paragraph, I’d just like to note that the recent performance of The Messiah put on in the St. Paul Cathedral featured a very charismatic tenor who should have sung every single aria in the thing. The chap was excellent, which was unfortunate for some of his colleagues as they were shown up. I will say the soprano was good if slightly erratic. The bass was presentable and had the remarkable ability to sing as if his voice were coming from the far side of a small but considerable hill. Of the substitute alto I will say three things: her voice grew on me as the evening went along, I was still disappointed not to have had a counter-tenor instead, and I think she was under the impression that of all her natural endowments, her voice should not be alone conspicuous.


Onto my fourth, intrepid paragraph. Tonight is the last day of our writing class at the Loft Literary Center. We are going to do readings. If nothing else, this sort of class can be helpful for the audience: all the other people in your class are forced to interact with what you write and to respond to it.

Are you left reading me still? Well, I am certainly grateful. Here in the world of unsolicited blogging we are supposed to be grateful that anybody reads us and we are supposed to apologize for not blogging as if we owed it to the world, if custom is anything to go by. Do these strike you as contradictory notions? They strike me as contradictory notions as well.

Really Into Tolkien

tolkien.jpg

I found it on a Catholic blog.

Note to Self

Go to Loome’s

What Came During Lunch

And now my memories are of tumbled and tangled bookstores and paperback days full of reading. I saw a chap walk by with an thick, old paperback and it brought back memories of used bookstores; memories like stacks of old books, like the rooms of a house overrun by shelves and the smell of old paper.

I read at the library, and I go there to write. And when I am there it is seldom I look at the books on those shelves which are no shelves, all spacious and empty and covered in plastic the books. Better an old place, a silently old place, with dust and with windowpanes dim and begrimed; better a place where a little bell sounds like the dust in the sunlight which falls to the floor; better the smell of the paperback glue and the creak of a board and the slam of a door.

Narrow spaces like tall and long books, like books in a shelf should the spaces where books, where books in their ranks and their orders and sorts of how they should be, should be kept, should they be. Angular, upright books must be preserved in the lines of their bookstores, in the narrow descending of stairs: straight stairs into basements with a last, little turn to where the walls are stone or windowless brick,and the pipes curl under the joists above, curling stairs up to lofts where the shelves along the rail overlooking the stacked main floor and the dust on the top of the cases are low with a row of books all along, where the eaves are supported by low shelves rising toward the peak of the ceiling, where you go under a skylight and look up to see the rain, listening to it there under the roof in the brooding silence of books.

My heart’s in no highlands, nor chasing the deer, my heart’s not outdoors nor is anywhere near. My heart’s between pages, on shelves, sewn and bound; its tumbled on floors and in stacks spread around. My heart’s in a bookstore all covered with dust. It’s pages are yellow to match the worn colors I see in worn bookstores: brown dust and orange rust.

The used bookstores that rise up all over the world are what makes the all over make each place distinct. All the rest of the places are all of the same, but the ancient used book stores give places their fame.

Amazon Gets With It

Tired of hunting? Try Amazon instead.

Tired of wandering the hills in search of radioactive uranium? Try Amazon.

For a good time scroll to the product descriptions, but especially the deadpan reviews. See, Bic Pen for excellent practical advice.

How the Accordion Came to Man: A Story Without Quotation Marks

Once on a time there was a dark age in the world, for behold, the accordion had not been given by the gods to men. Man had discovered many instruments for himself, but not the accordion, nor the organ which is derived from the accordion. And men pined and languished while Polkinwaltus the Greek god of the accordion played for the gods on Olympus.

And it came to pass that certain of the more surly and ignoble gods grew jealous of Polkinwaltus and his accordion, and they sought to steal it from him. Then said Polkinwaltus to himself, Now what am I going to do here with these guys now? Then went Polkinwaltus to Zeus and pointed out to him how it was that things stood. Then said Zeus to Polkinwaltus, Yea, and have they said so unto thee?

You bet, replied Polkinwaltus.

Forsooth, quoth Zeus. And he knitted his brow but he could think of no way to help Polkinwaltus. Shrugging, he told him to make sure he had a lock made for the case.

Thanks for all the help, Polkinwaltus said.

Polkinwaltus, therefore, seeing things had come to a pass packed up his accordion and went down Mt. Olympus to soujourn with men. I’ll teach them, he said. I’ll bring the music of the gods to men and they will multiply accordions over the face of the earth. And he did so eftsoons, and lo, men were glad.

Now it came to pass that this all happened in the days of Socrates so that by the time Plato got around to writing his immortal dialogues, there were some very accomplished Greek accordion players to inspire him. So inspired was he, that some even said he had heard the playing of Polkinwaltus, although that may be a bit far fetched. But soon after this the accordion players were driven out into Bavaria, and after that Aristotle wrote.

Accordiorama 2

Every civilized person involved in this culture war owes it to himself to listen to this recording just to be reminded what it is we fight to preserve—The Criten

Let me say that the first track is full of bad sentiment, containing selections from My Fair Lady. But after that, this collection is unimpeachable. Accordiorama may call you into the tangled, endless world of accordion music for ever; it is hard to resist the enchantment. The supple tenderness of a diatonic accordion will sweep you away; the gentle clucking of accordions playing the left-hand part of a waltz is like a coop of dreaming chickens.

The only thing better than the sound of the accordion is the sound of the harmonica and that is decidedly worse. But you have to admit that the harmonica does represent a step in the right direction, and you will find it in this collection—just think, a harmonica quartet! The tender warbling of an accordion is still more subtle than the harmonica’s, but it is never so shrill.

Here are two underlined statements that may help you appreciate the wonders of this collection:

No longer merely The March of the Gladiators, with this accordion ensemble it has become The March of the Glorious Gladiators.

The Skater’s Waltz was made for the accordion.

Unexamined Observations

There are at least three dissatisfactions I have with Tom Shippley’s book on Tolkien, but for all that I have found a great deal of it interesting. Near the end of the book he has a section on Leaf by Niggle. At this point in one’s reading one cringes thinking of Shippley’s tendency to be overzealous about explicit, meaningless connections (he has used the book to make many meaningful connections, but has overindulged in making connections). Yet here he does very well and suggests very much.

Tolkien got a prestigious chair very early on in his career. He got it as a result of one of two significant contributions he made to scholarship. The chair relieved him of some of the more tedious duties of university life and freed him for research and scholarship. A love for his subject and continual work therein he did not lack, but an enthusiasm for the academical world he did lack. Shippley paints a picture of Tolkein feeling a bit guilty that he’s pursuing the stuff he loves in connection to philology and writing stories rather than publishing articles and monographs. Tolkien was making the myths and doing the work of the people he studied rather than the emasculated work of a mere scholar.

Tolkien was a master in his field, so much so that he passed from being a master in that field to entering the field itself, as it were. If only more had his aspirations, rather than mere careers, what literature would be ours.

Winter Stalks the Unexamined Life

Cold tonight, great cold. This is not the season in which hobbits venture from their holes. By now any respectable hobbit has Christmas decorations and many books and provision for great Christmas cheer.


I have declared a moratorium on spending. We are not going out to eat again till Katrina gets a job. We have been very frugal for almost three weeks now, and I hate it. But so it must be. As a result of these privations we have not even gone to a book store in all that time. My list of stuff I want to get is growing all the while. Robert Alter has a new translation of the Psalms I’d like to get. In looking at a review I found out he had done a translation of the whole Pentateuch, not just Genesis. Much do I long for that volume.

I like Alter because of his notes, and his attempts at achieving good literary translations. I am not given to the consultation of commentaries, but I always consult Robert Alter. He is no Christian, and he actually goes out of his way to translate Psalms without the Christianity he believes the KJV put into it, but he is an educated and cultivated man with worthwhile insight.


Most of my book buying is spontaneous. I do not really go looking for something unless there is something pressing upon me to get it like school. I find it displeasingly predatory to find something by searching online and ordering it that way since I would rather stumble across it at a used book-store. Were I to buy by searching online, I would have no reason to go hunting in the real stores, which is the true joy.


In my future best-selling investigatory book, Jockeying for Position: The Rise and Tediously Over-prolonged Duration of Young Fundamentalism, I describe in detail the gawking admiration and less-than-intrepid posturing. My hostility toward the evil works of fundamentalism is all the while increasing, and I am contemplating, when I have time or am goaded to it or have a compelling occasion to do so, putting the thing into writing. Then will my book be born.


And now the cold, and the lights, some reading, and some cheer.

Hostile to Fundamentalist Religious Sensibilities

or the lack thereof.

Dissidens here, with some really well-put observations along those lines.

Jealous of the Unexamined Time

I have become jealous of my time for several reasons:

A – Successes in my writing make me eager for it and keen to it. I feel I am learning the art of re-writing better and I would not like to quit while it is going well.

B – My reading is once again in arrears. I had this happen the last time I ordered a bunch of things from the library. Now I have three books out again and another few coming and I am feeling it, especially considering all the ones I own that are getting the shelf.

1 – Culture Counts, which is for my lot in the next retreat, although a way off. If it does not get a good deal of thought it will not be any good. And I am feeling my incompetence in all matters. I have been feeling like one who speaks about things he does not know, which makes me keen to get ahead on this project so that when I discover what I’m missing, I may take steps to amend myself.

2 – J. R. R. Tolkien: Author of the Century, which I would highly recommend to any wishing to write and to any wishing to better appreciate the works of Tolkien. T. A. Shippley is a man who knoweth the thing he speaketh of. This is the book I currently hate to put down.

3 – The Man in the Moon, by James P. Blaylock. This is the book I may be compelled to return unfinished. It is the original draft of The Elfin Ship which I much enjoyed in youth. This one has not the parings down Lester Del Rey indulged. The first chapter was written in a chatty and expansive style that reminds me of The Hobbit and brings me much joy. The introduction is worthy of a glance. If you have a chance, if you can get the book and try a chapter, see what you think.

4 – Bruchko. A story of a charismatic missionary. I was lent this by a deacon. When he found out I had been in Colombia he thought I would enjoy it. And I have not found it unenjoyable for all that I am forming a dislike for the feckless main character.

C – I have to work.

D – Other drivers have taken the weather as an excuse to work their plots against me. They have conspired to eat away my precious time in more than the usual increments by driving pathetically. I take it out on them by listening to a set of lectures on Herodotus, nowadays, but I would much rather not be in a car.

A Weekend Full

Full of snow: I watched the snow falling at the library. I watched it at home as well. It fell all day Saturday, and on Sunday we reaped the consequences.

Full of Tolkien: I want to work up a brief review of The Children of Hurin, a work of great skill and long effort. It is a tragedy, and the Greeks would have loved it.

Full of writing: I have set myself the goal of revising a story every week to bring them up to a higher standard. With much effort and eating and waiting, I have satisfied this goal for two weeks now.

Fragmenta

Ilmo, the king of the fairies in the land under the shadows of the Dimward Mountains had two daughters: Beryl and Hadoth. Beryl, the eldest, was wise and fair, but Hadoth was sly and more inclined to malice like her father. Ilmo’s heart was crooked, and he loved to work treachery.

With the coming of men into his country, Ilmo sat thinking how best to deal with them. He decided to deal cunningly, and offered their king one of his daughters to wife, for he wanted her to betray her husband and his folk.

But Giflas the king of the men, when he looked upon the daughters of Ilmo loved not Hadith whom Ilmo meant to give. But Giflas loved Beryl, and she loved him. Yet Ilmo did not realize that Beryl his daughter loved the man, and he trusted she would betray the man and remain loyal to her kind. So he gave secret instructions to his eldest daughter, and then gave Beryl’s hand to Giflas in marriage.

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